وَزْن Wazn

اللغة Language

مَرَضي مِن مَريضَةِ الأَجفانِ

My Illness Stems from the Languid Eyelidsذكاء اصطناعي AI

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الخلاصة Summary

هذا النص بالإنجليزية فقط — لا تتوفر لدينا نسخة عربية منه.

Ibn Arabi composed this sequence during his travels, addressing a brilliant young woman from Isfahan whom he encountered in Mecca. While the verses unfold in the familiar idiom of classical Arabic love poetry—mourning abandoned campsites and invoking famous literary heroines—the poet uses her earthly beauty and her distant eastern origins as living symbols for divine inspiration and spiritual descent, creating a celebrated dialogue between mysticism and human longing.

الخلاصة مُولّدة بالذكاء الاصطناعي وقد تخطئ This summary is AI-generated and may contain mistakes.

السياق The story

نظم محيي الدين بن عربي قصائد ديوانه (ترجمان الأشواق) في التغزل بنظام الأصبهانية، ابنة مكين الدين أبي شجاع زاهر بن رستم الأصبهاني البغدادي، التي التقى بها في مكة سنة 598هـ، وجعلها رمزاً للواردات الإلهية والتنزلات الروحانية.

المصدر: الموسوعة الشعرية — دائرة الثقافة والسياحة، أبوظبي Source: The Poetry Encyclopedia — Department of Culture and Tourism, Abu Dhabi

القصة مُستخلصة من المصدر بالذكاء الاصطناعي وقد تخطئ This story was extracted from the source by AI and may contain mistakes.

النص Poem text

مَرَضي مِن مَريضَةِ الأَجفانِعَلِّلاني بِذِكرِها عَلِّلاني

My illness stems from the languid eyelids of my beloved—console me with her memory, oh console me.

هَفَتِ الوُرقُ بِالرِياضِ وَناحَتشَجوُ هذا الحَمامِ مِمّا شَجاني

The turtledoves fluttered through the gardens and wailed; the grief of these pigeons mirrors what afflicts me.

بِأَبي طَفلَةٌ لَعوبٌ تَهادىمِن بَناتِ الخُدورِ بَينَ الغَواني

By my life, a playful young girl who glides gracefully, stepping among beauties from behind the curtained chambers.

طَلَعَت في العِيانِ شَمساً فَلَمّاأَفلَت أَشرَقَت بِأُفقِ جَناني

She appeared to my physical sight as a sun, and when she set, she rose brightly on the horizon of my inner heart.

يا طُلولاً بِرامَةٍ دارِساتٍكَم رَأَت مِن كَواعِبٍ وَحِسانِ

Oh ruined campsites at Ramah, how many women with swelling breasts and radiant faces you once beheld.

بِأَبي ثُمَّ بي غَزالٌ رَبيبٌيَرتَعي بَينَ أَضلُعي في أَمانِ

By my life, and by my own soul, a cherished gazelle who grazes safely right between my ribs.

ما عَلَيهِ مِن نارِها فَهوَ نورٌهكَذا النورُ مُخمِدُ النيرانِ

The fire that surrounds her is no hazard, for it is pure light; thus does light quench burning fires.

يا خَليلَيَّ عَرَّجا بِعِنانيلَأَرى رَسمَ دارِها بِعَياني

Oh my two companions, turn aside your riding mounts so I may see the trace of her abode with my own eyes.

فَإِذا ما بَلَغتُما الدارَ حُطّاوَبِها صاحِبَيَّ فَلتَبكِياني

And when you reach the dwelling place, dismount; and right there, my friends, weep for me.

وَقِفا بي عَلى الطُلولِ قَليلاًنَتَباكى بَل أَبكِ مِمّا دَهاني

Pause with me briefly over the ruins so we may weep together—or rather, let me weep alone for what has struck me.

الهَوى راشِقي بِغَيرِ سِهامٍالهَوى قاتِلي بِغَيرِ سِنانِ

Love is an archer who shoots me without arrows; love is a slayer who kills me without a spear.

عَرَّفاني إِذا بَكَيتُ لَدَيهاتُسعِداني عَلى البُكا تُسعِداني

Let me know when I weep beside her, that you will aid me in my weeping, truly aid me.

وَاِذكُرا لي حَديثَ هِندٍ وَلُبنىوَسُلَيمى وَزَينَبٍ وَعِنانِ

And recite to me the tales of Hind and Lubna, and Sulayma, Zaynab, and 'Anan.

ثُمَّ زيداً مِن حاجِرٍ وَزَرودٍخَبراً عَن مَراتِعِ الغِزلانِ

Then name Zayd from Hajir and Zarud, bringing news from the pastures where the gazelles roam.

وَاِندُباني بِشِعرِ قَيسٍ وَلَيلىوَبِمَيٍّ وَالمُبتَلى غَيلانِ

Lament me using the verse of Qays and Layla, and Mayy, and the afflicted Ghaylan.

طالَ شَوقي لِطَفلَةٍ ذاتِ نَثرٍوَنِظامٍ وَمِنبَرٍ وَبَيانِ

My longing has grown long for a young girl gifted in prose and verse, eloquence and public speech.

مِن بَناتِ المُلوكِ مِن دارِ فُرسٍمِن أَجَلَّ البِلادِ مِن أَصبَهانِ

From the daughters of kings, from a Persian home, hailing from the most noble of lands, Isfahan.

هِيَ بِنتُ العِراقِ بِنتُ إِماميوَأَنا ضِدُّها سَليلُ يَماني

She is a daughter of Iraq, the daughter of my master, while I am her opposite, scion of Yemen.

هَل رَأَيتُم يا سادَتي أَو سَمِعتُمأَنَّ ضِدَّينِ قَطُّ يَجتَمِعانِ

Have you seen, my masters, or ever heard that two opposites could ever come together?

لَو تَرانا بِرامَةٍ نَتَعاطىأَكَؤساً لِلهَوى بِغَيرِ بَنانِ

If you could see us at Ramah, passing back and forth cups of love without using our fingers.

وَالهَوى بَينَنا يَسوقُ حَديثاًطَيِّباً مُطرِباً بِغَيرِ لِسانِ

While love between us drives a discourse, sweet and intoxicating, without the use of a tongue.

لَرَأَيتُم ما يَذهَبُ العَقلُ فيهِيَمَنٌ وَالعِراقُ مُعتَنِقانِ

You would witness something that stuns the intellect: Yemen and Iraq locked in an embrace.

كَذِبَ الشاعِرُ الَّذي قالَ قَبليوَبِأَحجارِ عَقلِهِ قَد رَماني

False is the poet who spoke before me, and he has pelted me with the stones of his own intellect.

أَيُّها المُنكِحُ الثُرَيّا سُهَيلاًعَمرَكَ اللَهَ كَيفَ يَلتَقِيانِ

Oh you who would marry the Pleiades to Canopus, by your life in God, how can the two ever meet?

هِيَ شامِيَّةٌ إِذا ما اِستَهَلَّتوَسُهَيلٌ إِذا اِستَهَلَّ يَماني

She is Levantine whenever she begins to pour, while Canopus is distinctly southern whenever it appears.

الترجمات الإنجليزية مُولّدة بالذكاء الاصطناعي وقد تخطئ English translations are AI-generated and may contain mistakes.